Us Vs Japans Education Essay -- Education

Us Vs Japan's Education Education is the foundation of a strong and productive individual as well as being the foundation for a strong and productive country. Any country that keeps its' people uneducated or does not help to educate them cannot hold them entirely responsible for their actions that result from their lack of education. The United States and Japan both feel very strongly about education and that they need to have well educated people. Both of these countries have educational systems that are similar in some ways and yet very different in other ways. Both the similarities and the differences of these two systems give light to how each of these countries go about educating its' people and how much each of these countries value education. The educational system in Japan has not always been the way it is today. In fact it went through the very drastic changes in the end of the eighteen hundreds and then again in middle of the nineteen hundreds; right after World War II. The Meiji government was the first imperial government and it came into power in 1868. This government had a relatively nonrestrictive textbook policy. Then in 1872 it passed the School System Law, but it still did not include a Textbook Compilation Bureau. In the 1880's, there was a surging of nationalistic sentiment among Confucian scholars and this group was led by Motoda (1818-91). Due to this feeling sweeping the country, Mori Arinori (1847-89) became Education Minister and under his leadership state control on what was taught and what was in textbooks tightened. Then there was the Imperial Rescript on Education of 1890. This document had three themes: that the foundation of the nation is Confucian Values, that the role of education is perfect... ...rent ways; ways that pander to the results they want. Bibliography: A. Education in Japan: A Century of Modern Development Ronald A. Anderson, U.S. Government Printing Office, Washington, 1975 I think that this is a very good source because it was put out by the U.S. Government. B. Education in Japan: A Source Book Edward R. Beauchamp and Richard Rubinger, Garland Publishing, Inc. New York & London, 1989 This was an excellent source because it was very unbiased and factual C. Dimensions of contemporary Japan: Education and Schooling in Japan Since 1945 Edward R Beauchamp Garland Publishing, Inc. New York & London, 1998 This source is also very good and it is very new, which is always a good thing D. The American School 1642-1993 Joel Spring McGraw-Hill Inc., 1994 This was very strait forward and factual, meaning it is a good source.

Historically Australian Indigenous Art Is Often Politically or Spiritually Motivated Essay

Historically Australian art is often politically or spiritually motivated. This statement is proved by a number of indigenous Australian artists including, Nellie Nakamarra Marks, who uses traditional techniques and motives to relay her spirituality, and Tony Albert, who recontextualises mainstream items, to create a postmodern collection, challenging the idea of stereotypical representations in mainstream culture. All spiritual beliefs in Aboriginal culture relate back to the idea of creation and dreaming. The dreaming is the ongoing cultural and spiritual progression that informs identity and knowledge, which is expressed through traditional indigenous art. This reflects a spiritual connection to the land, which is represented by signs and symbols as well as other various techniques, which are unique to traditional indigenous art. Signs and symbols can represent a particular location, object or landmark, or a particular story or totem that would be specific to a particular tribe, corroboree or dreamtime story. In traditional indigenous artworks, there is no perspective or fixed vanishing points for landscape artworks because indigenous Australians do not see their environment as a landscape, but their particular world and universe. They create a concept of place by using signs and symbols to create a map-like artwork, which represents their particular ‘world’ and universe. Essentially, traditional indigenous Australian artists are painting their spirituality, by expressing their connection to the land through signs, symbols and their world. Nellie Nakamarra Marks is a traditional indigenous artist, from the east of Kintore in the Northern Territory. In her work Kalipinypa, there is no set pattern and everything is connected which suggests her spiritualty and connection with the land. Her use of the traditional form of dot painting for her particular area of the Central Desert Region symbolises her world as she sees it, and how she heard about it through stories. In the middle of the right hand side there is lack of colour, which could symbolise a particular place that has particular spiritual significance. The dark shapes also look like leaves, which could represent the end of season and the coming of autumn, which is supported by the deep, vibrant colours in the painting. The colours also represent her region and place in Australia. The many different varieties of the same shapes could symbolise diversity within their own tribe, as well as the different shapes and movements of the land. The purpose of this artwork is to educate and pass on a particular story to younger generations. Postmodern art challenges mainstream ideas, which usually creates a political or social statement about modern society. Contemporary indigenous art in particular would be classified as postmodern because the artists are communicating their feelings and thoughts about certain aspects of society in modern Australia, which in turn, challenges some pre conceived notions about indigenous Australians in today’s society. These particular works by Tony Albert are postmodern, because he recontextualises items from recent history, that were used to create an unrealistic connection between White Australia and indigenous Australia in the 50’s and 60’s, to challenge history, both politically and socially. Tony Albert’s collection recycles kitsch black velvet paintings produced in Australia in the 1950’s and 1960’s. These velvet paintings were very popular in the last fifty years as home decorations, and like many objects from this period, they were characterized by their depictions of Aboriginal people as simple folk. These ornaments enabled white Australians of the time to have a distant and unrealistic connection to indigenous people. Albert recontextualises these paintings by introducing stenciled slogans to the paintings to create a complex and identifiable character. He uses the languages of politics and pop culture to reconnect the artworks with modern Australia and therefore reality. These slogans reclaim the faces of the aboriginals, transferring them from helpless and cute, to bold and complex, which asserts a modern identity and sense of self. This makes the characters more personal, which then creates a connection between the viewer and the subject that is mimicked throughout the collection. The slogans are derived from pop songs, nursery rhymes, advertising, political speeches and life stories, which has launched these velvet paintings into a new identity, which enables the viewer to connect with the characters beyond a stereotyped context. The generic and common velvet paintings have become empowered and personalized, asserting a new sense of self, which makes this collection truly compelling. This collection by Tony Albert, addresses the issue of stereotypical representations of indigenous Australians in mainstream culture. He challenges this present and historic issue of cultural alienation and displacement experienced by Indigenous Australians by appropriating slogans and recontextualising them to create a sense of lost identity and estrangement. Through the use of many different mediums, Aboriginal artists are motivated by their spirituality or political standpoint to produce art. This is shown by Nellie Nakamarra Marks, who is motivated by her connection to the land and her spirituality, and Tony Albert, who was trying to communicate the stereotypical views of indigenous Australians in mainstream culture. Kalipinypa – NELLIE NAKAMARRA MARKS Acrylic on linen, 90? 90cm Kalipinypa – NELLIE NAKAMARRA MARKS Acrylic on linen, 90? 90cm.

Circuit Board Case Study - 1003 Words

Circuit Board Case Study Circuit Board Fabricators, Inc. is a circuit board manufacturer based in California. They produce circuit boards to large organizations like Apple and Hewlett-Packard. The large computer companies hire Circuit Board Fabricators, Inc. (CBF) to make to circuit boards for the large companies new prototypes. CBF implements a large automated process that follows standard codes to produce these circuit boards efficiently and with above average customer service; however, recently CBF has been experiencing losses. CBF believes that the loss s the company is facing is due to the current automated system used. The CBF process engineers designed the plant has the capacity to produce 1,000 circuit boards per day; however,†¦show more content†¦Establish Performance Requirements In order for CBF to produce high quality circuit boards, the following requirements to establish performance are recommended: - Extended hours of operation - Additional Machinery - Decrease initial inspection time If the company were to extend production hours to 12 hours a day with an addition of a machine, the production and production cost would increase but so would the number of produced circuit boards. In addition, if the factory could shorten the initial inspection process time, this would allow for more boards to be produced and lessen the bottle neck affect the company currently faces. Process Improvement Opportunities After a full examination of the case study, the top three process improvement opportunities include: As examined, the top three process improvement opportunities include: 1. Increase the factory’s hours of operations to 12 hour days 2. Increase machinery to reduce human error 3. Create a new initial inspection process to decrease time Final Recommendation My current workplace is not in the manufacturing industry. The only improvement that my company does currently implements is increased hours of operation. This increases the cost of operations; however, creates potential through availability to earn capital. Our company cannot add machinery, but does use other non-human resources to aid in the decreased risk of human error through programsShow MoreRelatedEssay on Case Study: Circuit Board Fabricators Inc.939 Words   |  4 PagesCase Study: Circuit Board Fabricators Inc. Carl Anthony Jackson Sr. University of Phoenix OSC301 Operations Management Kimberly Ford January, 21 2008 In this case study Circuit Board Fabricators manufactures circuit boards for several computer companies. 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